New Dance (The Mod Stories Book 1)


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As mod teens and young adults began using their disposable income to buy stylish clothes, the first youth-targeted boutique clothing stores opened in London in the Carnaby Street and King's Road districts. Two youth subcultures helped pave the way for mod fashion by breaking new ground: the beatniks , with their Bohemian image of berets and black turtlenecks, and the Teddy Boys , from whom mod fashion inherited its "narcissistic and fastidious [fashion] tendencies" and the immaculate dandy look.

Jobling and Crowley argue that for working class mods, the subculture's focus on fashion and music was a release from the "humdrum of daily existence" at their jobs. Male mods adopted a smooth, sophisticated look that included tailor-made suits with narrow lapels sometimes made of mohair , thin ties, button-down collar shirts, wool or cashmere jumpers crewneck or V-neck , Chelsea or Beatle boots , loafers , Clarks desert boots, bowling shoes, and hairstyles that imitated the look of French Nouvelle Vague film actors.

Many mods wore military parkas while driving scooters in order to keep their clothes clean. Many female mods dressed androgynously, with short haircuts, men's trousers or shirts, flat shoes, and little makeup — often just pale foundation, brown eye shadow, white or pale lipstick and false eyelashes.

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As female mod fashion became more mainstream, slender models like Jean Shrimpton and Twiggy began to exemplify the mod look. Maverick fashion designers emerged, such as Mary Quant , who was known for her miniskirt designs, and John Stephen , who sold a line named "His Clothes" and whose clients included bands such as Small Faces. Mod-culture continues to influence fashion, with the ongoing trend for mod-inspired styles such as 3-button suits, Chelsea boots and mini dresses.

The Mod Revival of the s and s led to a new era of mod-inspired fashion, driven by bands such as Madness , The Specials and Oasis.

The original mods gathered at all-night clubs such as The Flamingo and The Marquee in London to hear the latest records and show off their dance moves. As the mod subculture spread across the United Kingdom, other clubs became popular, including Twisted Wheel Club in Manchester.

The late s saw an explosive mod revival in England due to the popularity of new wave mod band The Jam and the huge success of the film Quadrophenia in A notable part of the mod subculture was recreational amphetamine use, which was used to fuel all-night dances at clubs like Manchester's Twisted Wheel. Newspaper reports described dancers emerging from clubs at 5 a. Andrew Wilson argues that for a significant minority, "amphetamines symbolised the smart, on-the-ball, cool image" and that they sought "stimulation not intoxication Wilson argues that the significance of amphetamines to the mod culture was similar to that of LSD and cannabis within the subsequent hippie counterculture.

Dick Hebdige argues that mods used amphetamines to extend their leisure time into the early hours of the morning and as a way of bridging the gap between their hostile and daunting everyday work lives and the "inner world" of dancing and dressing up in their off-hours. Many mods drove motor scooters, usually Vespas or Lambrettas.

For teens with low-paying jobs, scooters were cheaper and easier to park than cars, and they could be bought through newly-available hire purchase plans. Mods also treated scooters as a fashion accessory.

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Italian scooters were preferred due to their clean-lined, curving shapes and gleaming chrome , with sale driven by close associations between dealerships and clubs, such as the Ace of Herts. For young mods, Italian scooters were the "embodiment of continental style and a way to escape the working-class row houses of their upbringing". They often put their names on the small windscreen. They sometimes took their engine side panels and front bumpers to electroplating shops to get them covered in highly reflective chrome. Hard mods who later evolved into the skinheads began riding scooters more for practical reasons.

Their scooters were either unmodified or cutdown , which was nicknamed a "skelly". After the seaside resort brawls, the media began to associate Italian scooters with violent mods.


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The media described groups of mods riding scooters together as a "menacing symbol of group solidarity" that was "converted into a weapon". Stuart Hall and Tony Jefferson argue that compared to other youth subcultures, the mod scene gave young women high visibility and relative autonomy. Hall and Jefferson note the increasing number of jobs in boutiques and women's clothing stores, which, while poorly paid and lacking opportunities for advancement, gave young women disposable income, status and a glamorous sense of dressing up and going into town to work.

Hall and Jefferson argue that the presentable image of female mod fashions meant it was easier for young mod women to integrate with the non-subculture aspects of their lives home, school and work than for members of other subcultures. Shari Benstock and Suzanne Ferriss claim that the emphasis in the mod subculture on consumerism and shopping was the "ultimate affront to male working-class traditions" in the United Kingdom, because in the working-class tradition, shopping was usually done by women.

In earlys Britain, the two main youth subcultures were mods and rockers.


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  6. While mods were seen as "effeminate, stuck-up, emulating the middle classes, aspiring to a competitive sophistication, snobbish, [and] phony", rockers were seen as "hopelessly naive, loutish, [and] scruffy", emulating the motorcycle gang members in the film The Wild One , by wearing leather jackets and riding motorcycles. Scholars debate how much contact the two subcultures had during the s.

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    Hebdige argues that mods and rockers had little contact with each other because they tended to come from different regions of England mods from London and rockers from rural areas , and because they had "totally disparate goals and lifestyles". John Covach writes that in the United Kingdom, rockers were often engaged in brawls with mods.

    Newspapers of the time were eager to describe the mod and rocker clashes as being of "disastrous proportions", and labelled mods and rockers as "sawdust Caesars", "vermin" and "louts". The magazine Police Review argued that the mods and rockers' purported lack of respect for law and order could cause violence to "surge and flame like a forest fire".

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    One of the prosecutors in the trial of some of the Clacton brawlers argued that mods and rockers were youths with no serious views, who lacked respect for law and order. From Wikipedia, the free encyclopedia. Subculture in England. See also: Swinging London. See also: Skinhead and Scooterboy.

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    Main article: Mod revival. See also: Scooter motorcycle and Vespa. Main article: Mods and rockers. Archived from the original on 11 January Retrieved 11 October Andrew Wilson Internet Journal of Criminology. Archived from the original PDF on 13 July The Rockers emulated Marlon Brando's motorcycle gang leader character in "The Wild One" film a wore leather clothes; b rode motorcycles; and c often engaged in brawls with the Mods Book preview. Folk devils and moral panics: the creation of the Mods and Rockers.

    London New York: Routledge. Archived from the original on 20 June South Bay Scooter Club. Archived from the original on 9 December Revolt into Style: The Pop Arts. Retrieved 15 August Youth and Crime. Archived from the original on 14 November Anne Cook Saunders on 17 December , online at: www. Art into Pop , pp. Mods: A Very British Style provides definitive history of the s movement, review. The Telegraph. Archived from the original on 1 October Retrieved 29 September Bogdanov, C. Woodstra and S.

    Cover story. The Beatles' Gear. Hal Leonard Corporation. Beatty and P. Perry, orig. DVD: something Weird Video, rel. Archived from the original on 12 September Archived from the original on 23 January Retrieved 11 January Archived from the original on 17 March Retrieved 8 April Need Supply Co.

    Photos of Goldie Hawn , who was member of original cast on Laugh-In. Archived from the original on 19 June Retrieved 10 June The Huffington Post. Stuart Hall and Tony Jefferson, eds. Routledge, Trojan Skinhead Reggae Box Set liner notes. A brand new EXE based installer. Patch your New Vegas to perform as expected and install the mod and compatibility patches all in one file. Check it! The latest patch fixes hundreds of bugs and improves performance, crashes, and many other bugs!

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